Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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PEETERS, Bonaventura the Elder
Storm on the Sea

ID: 51063

PEETERS, Bonaventura the Elder Storm on the Sea
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PEETERS, Bonaventura the Elder Storm on the Sea


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PEETERS, Bonaventura the Elder

Flemish painter (b. 1614, Antwerpen, d. 1652, Hoboken).  Related Paintings of PEETERS, Bonaventura the Elder :. | Still life with Vase,jug,and Platter of Dried Fruit | solskensflickan i bo | The Origin of the World | Sunrise in the thin Zachary | Cest Un Emir |
Related Artists:
Sienese school
The Sienese School of painting flourished in Siena, Italy between the 13th and 15th centuries and for a time rivaled Florence, though it was more conservative, being inclined towards the decorative beauty and elegant grace of late Gothic art. Its most important representatives include Duccio, whose work shows Byzantine influence; his pupil Simone Martini; Pietro and Ambrogio Lorenzetti; Domenico and Taddeo di Bartolo; Sassetta and Matteo di Giovanni. Unlike the naturalistic Florentine art, there is a mystical streak in Sienese art, characterized by a common focus on miraculous events, with less attention to proportions, distortions of time and place, and often dreamlike coloration. In the 16th century the Mannerists Beccafumi and Il Sodoma worked there. While Baldassare Peruzzi was born and trained in Siena, his major works and style reflect his long career in Rome. The economic and political decline of Siena by the 16th century, and its eventual subjugation by Florence, largely checked the development of Sienese painting, although it also meant that a good proportion of Sienese works in churches and public buildings were not discarded or destroyed by new paintings or rebuilding. Siena remains a remarkably well-preserved Italian late-Medieval town.
alexis wetterbergh
wetterberghs malning bar professor sandbergs godkannande paskrift, men eftersom maleri inte forekom pa konstakademiens schema fore 1856
Pierre Patel
French Baroque Era Painter, ca.1605-1676 He dedicated himself exclusively to the art of landscape painting, and it is presumed that he spent his entire career in Paris, as there is no evidence to support claims that he went to Italy. In 1633-4 he was admitted to the guild of St Germain-des-Pr?s and in 1635 was admitted to the Acad?mie de Saint-Luc. In 1651 he took part in a vain attempt to merge the Acad?mie Royale and the Acad?mie de Saint-Luc, after which he remained loyal to the latter.






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